Summer of 69 - Briyan Adams - lerycs with guitar chords

/ D - / A - / D - / A - /
I got my first real six-string
Bought it at the five-and-dime
Played it 'til my fingers bled
It was the summer of '69
/ D - / A - / D - / A - /
Me and some guys from school
Had a band and we tried real hard
Jimmy quit and Jody got married
I shoulda known we'd never get far


Oh when I look back now
That summer seemed to last forever
Oh and if I had my choice
Yeah I'd always wanna be there
Those were the best days of my life
/ Bm A / D G / : / Bm A D - A - D - A - /
Ain't no use in complainin'
When you got a job to do
Spent my evenings down at the drive-in
And that's where I met you
Standin' on your mother's porch
You told me that you'd wait forever
Oh, and when you held my hand
I knew that it was now or never
Those were the best days of my life
Back in the summer of '69


Man we were killing time
We were young and restless we needed to unwind
I guess nothin' can last forever- forever, no
/ F - Bb - / C - Bb - F - / Bb - C - - - / (D - A - D - A - )
And now the times are changing
Look at everything that's come and gone
Sometimes when I play that old six-string
I think about you 'n' wonder what went wrong

Munjane Manjalli Guitar Chords with Lerycs

Ragu Dixit 
Munjane Manjalli - Just maat Maathalli 
Kannada Song

A D A E
Munjaane manjalli.. Mussanje tilitampalli...
A D A E
O Olave neenelli.. Hudukaata ninaginelli..
Bm D
Nannedeyolage nee ilidu..
Bm E
Janamanada mouna muridu..
Bm D
Bisi usirannu nee bagedu..
Bm E
Nittusirannu nee tagedu..
A D A D
Nannomme aavarisu.. Ee bege nee haarisu..
Bm E
Manadaalada ullasa nee..
A A A E
Kuntallu neene.. Nintallu neene.. Ellellu neene sakhi..
A A A E
Kannallu neene.. Kanasallu neene.. Ellellu neene sakhi..
Bm D Bm D Bm D E
Nana nennegalu neene.. Naalegalu neene.. Endendu neene sakhi...
A E A
Aavarisu.. Maidumbi.. Just Maat Maathalli..


A D A E
Nannella kanasannu.. Ninadendu nee tilididde..
A D A E
Noorentu novallu.. Nee bandu jotheyidde..
Bm D Bm E
Kaarmoda kavida manake.. Hosa belaku tandu suride..
Bm D Bm E
Ninagaagi naanu nanna.. Badukella mudipu ende..
A D A D
Eegelli nee hode.. Konegolisi nee baare...
Bm E
Edegoodina usiru neene..
A A A E
Baanallu neene.. Buviyallu neene.. Ellellu neene sakhi..
A A A E
Novallu neene.. Nagavallu neene.. Ellellu neene sakhi..
Bm D Bm D Bm D E
Nana nennegalu neene.. Naalegalu neene.. Endendu neene sakhi...
A E A
Aavarisu.. Maidumbi.. Just Maat Maathalli..


G D A
Neenillaade baale baradu..

G D A
Ninagaage nanna baduke mudipu..

Bm A
Neenillada baduke neeru..
E
Kollu nanna...

A A A E
Tampallu neene.. Bisilallu neene.. Ellellu neene sakhi..
A A A E
Hasirallu neene.. Usirallu neene.. Ellellu neene sakhi..
Bm D Bm D Bm D E
Nana nennegalu neene.. Naalegalu neene.. Endendu neene sakhi...
A E A
Aavarisu.. Maidumbi.. Just Maat Maathalli..

 

3 Idiots guitar chords with lerycs

Sari umra hum mar-mar ke jee liye…
Ek pal to ab hume jeene do… jeene do…
| C F | C F | C F | C G |
| C F | C F | C F | C G |




Strumming 1
(C)Sari umra (G)hum, mar-(C)mar ke jee li(G)ye
Ek (C)pal to ab hu(G)me jee(F)ne do, jeene (G)do…
(C)Sari umra (G)hum, mar-(C)mar ke jee li(G)ye
Ek (C)pal to ab hu(G)me jee(Fbar)ne do, jeene (Gbar)do…


Strumming 1
(C)Na na na-na(G)… na-na (C)na na na-na(G)
(C)Na na na-na(G)… na na (Fbar)na na na na-(Gbar)naaa..


Strumming 2
(C)Give me some (G)sunshine
(C)Give me some (G)rain
(C)Give me (G)another chance
i wanna (Fbar)grow up once a(Gbar)gain… x2


Strumming 1
(C) …
(F)Kandho ko (C)kitabo ke bojh ne jhukaya(F)
Rishwat(C) dena to khud papa ne sikhaya(F)
(C)99% marks (F)laoge to (G)ghadi, (C)warna chadi (F)
(C)likh-likh kar padha (F)hateli par
aplha, (C)beta, gamma ka(F) chala
(C)conc. H2SO4(F) ne pura, (C)pura bach(F)pan jala dala(G)


Strumming 1
(C)bachpan to ga(G)ya, ja(C)wani bhi ga(G)yi
ek (C)pal to ab hu(G)me jee(Fbar)ne do jeene (Gbar)do


Chorus
(C)bachpan to ga(G)ya, ja(C)wani bhi ga(G)yi
ek (C)pal to ab hu(G)me jee(Fbar)ne do jeene (Gbar)do oooooo


Melody (Piano)
E ----------------------------------------
B -13-13-10-11---11-10-13-13-10-11--------
G ----------------------------------------
D ----------------------------------------
A ----------------------------------------
E ----------------------------------------


E ----------------------------------------
B --11h13-13-10-11---11-10-13-12-13-13----
G -------------------------------------14-
D ----------------------------------------
A ----------------------------------------
E ----------------------------------------


(C)Sari umra (G)hum, mar-(C)mar ke jee li(G)ye
Ek (C)pal to ab hu(G)me jee(Fbar)ne do, jeene (Gbar)do…


(C)Na na na-na(G)… na-na (C)na na na-na(G)
(C)Na na na-na(G)… na na (Fbar)na na na na-(Gbar)naaa..


(C)Give me some (G)sunshine
(C)Give me some (G)rain
(C)Give me (G)another chance
i wanna (F)grow up once a(G)gain… x2


{No strumming}
Na na na-na… na-na na na na-na
Na na na-na… na na na na na na-naaa..


{Strumming}
(C)Na na na-na(G)… na-na (C)na na na-na(G)
(C)Na na na-na(G)… na na (F)na na na na-(G)naaa..

HEY BHAGWAN - RAGHU DIXIT GUITAR CHORDS WITH LERYCS

HEY BHAGWAN - RAGHU DIXIT



E------1---0-----3---0---------------------------------
B----3---------3---------------------------------------
G------------------------------------------------------
D--0---------0-----------------------------------------
A------------------------------------------------------
E------------------------------------------------------




E------1---0-----3---0---------------------------------
B----3---------3---------------------------------------
G------------------------------------------------------
D--0---------0-----------------------------------------
A------------------------------------------------------
E------------------------------------------------------



Dm
heyy.. choti si hai jindagi x2
C F Dm
usse chota ek sapna
Dm
heyy.. choti si hai jindagi
C F Dm
usse chota ek sapna
F C A#
ek baar is dharti pe dekh loon khuda apna
Dm
hey bhagwan mujhko tuh
A# C Dm
jindagi dubara de..
Dm
hey bhagwan mujhko tuh
A# C Dm
jindagi dubara de..





Dm
raat ke andhere mein
Dm F
mujhe jo ujala de
Dm A#
jab thak jaaon toh apni
A# C
god ka sahara de


Dm
hey bhagwan mujhko tuh
A# C Dm
jindagi dubara de..


Dm
hey bhagwan mujhko tuh
A# C Dm
jindagi dubara de..




Dm
aaj bhi tu dekhta hoga x2
C G Dm
kahi dur satwan aasman
Dm F
aaj bhi tu dekhta hoga
C
kahi dur satwan aasman
Dm F
ho.. kaise khoya ja raha hai
A# C
apne aap mein insaan



hey bhagwan mujhko tuh
jindagi dubara de..
hey bhagwan mujhko tuh
jindagi dubara de..



Dm
hey dil ko sambhaloon kaise x2
C
tanhaayi mein doobi raat hai
Dm
hey dil ko sambhaloon kaise
C F
tanhaayi mein doobi raat hai
DM F
akele ho toh kya hua re x3
A# C
uska jo sahara hai


hey bhagwan mujhko tuh
jindagi dubara de..
hey bhagwan mujhko tuh
jindagi dubara de..

The Free Hands Method

In 1969 Emmett Chapman, who had no previous knowledge of DeArmond, Webster or any other tapping guitarists, discovered that he could tap on the strings with both hands, and that by raising the neck up could align the right hand's fingers with the frets as on the left, but from above the fretboard. This made scale-based melody lines just as easy to tap in the right hand as the left, and a new way of playing a stringed instrument was born. Chapman redesigned his home-made 9-string guitar to support his new playing method, and began selling his new instrument (The Chapman Stick) to others in 1974. In 1976 Chapman published his volume of collected lessons he used for teaching guitarists and Stick players as "Free Hands: A New Discipline of Fingers on Strings."

The Touch System

As mentioned before, this is a whole playing style and a whole book could be written about it. The first musician to play this way was pickup designer Harry DeArmond in the 1940's, who used tapping as a way to demonstrate the sensitivity of his pickups. While each hand could play its own part, DeArmond held his right hand in the same orientation as conventional guitar technique. This meant the ability of that hand to tap scale-based melody ines was limited. He taught his approach to Gretch Guitars employee Jimmie Webster, who wrote an instruction book called "The Touch System for Amplified Spanish guitar." Webster made a record and travelled around demonstrating the method. Even though it inspired a few builders (Dave bunker, for example), the Touch System was limited by the lack of equal movements for the right hand and never caught on.

Interdependent tapping

Interdependent tapping is by far the most common type of tapping. It is generally used as a lead guitar technique, most commonly during solos; however, a small number of songs are entirely tapped. The player's picking hand leaps out to the fretboard and begins to tap the strings with the fingers. However, one must get the pick out of the way in order to tap. Some players do this by sticking the pick between their fingers; others simply use the middle finger to tap. The Van Halen technique of getting rid of the pick is done by moving the pick into the space between the first and second joints of his middle finger.

Guitar/Tapping

Tapping is the short name of fretboard tapping or finger tapping: the act of tapping the fingers against the strings in order to produce sounds, rather than striking or plucking the strings. Specifically, it usually refers to two-handed tapping, that is, tapping involving both the left and right hand. It is not clear who discovered tapping, but it was certainly popularized, but not discovered, by Eddie van Halen. Van Halen was listening to "Heartbreaker" by Led Zeppelin, and he was quite inspired by the solo, which contained a variation of tapping. This is arguably the song that pushed Van Halen to popularize and use "tapping" frequently. A rather different kind of independent two-handed tapping, which is a whole playing method rather than a technique, was discovered by Harry DeArmond and named "The Touch System" by his student Jimmie Webster. Another method of independent tapping was discovered by Emmett Chapman, where the right hand comes over the fretboard and lines up with the frets like the left. Therefore this book dubs the three kinds of tapping Interdependent tapping and The Touch System", and the "Free Hands Method."

String Choke

If the strings are really slack, you can quickly whip the tremolo bar back up until it clicks, making a string choke. Sometimes overtones will remain, and you can get some interesting sounds and harmonies. However, these tend to disappear quickly as it is drowned out by the harmonics of the new string pitch.

Windmill

The "windmill" develops if you just keep
turning the tremolo bar in a circle. Naturally,
the tone moves up and down at a regular
pace. However, this can sound very "outer
space" and can easily be over done, and
you should use this sparingly.

Ruler Sound

If you press the tremolo bar down, and then
suddenly release it upwards and quickly
alternate between high ups and down,
it makes a snap-away sounds, like a ruler
vibrating off the edge of a table. The
principle behind this is similar to the cat purr.

Guitar chords

guitar cartoons

Beatles - Yesterday, Guitar Chords with Lerycs

D F#
Yesterday, all my troubles
Bm G
Seemed so far away
A7 D
Now it looks as though they're here to stay
Bm E G D
Oh I believe in yesterday
Suddenly, I'm not half the man
I used to be
There's a shadow hanging over me
Oh yesterday came suddenly


D F# Bm A G
Why she had to go
Bm Em A D
I dont know she wouldn't say
I said something wrong
Now I long for yesterday
Yesterday, love was such
An easy game to play
Now I need a place to hide away
Oh I believe in yesterday
Why she had to...
D E G D
Mm...mm...mm...mm...

Metalica - Nothing else matters, Guitar chords with lerycs

Em D C Em


So close no matter how far
D C Em
Couldn't be much more from the heart
D C G
Forever trusting who we are
B Em
And nothing else matters


Never opened my self this way
Life is ours, we live it our way
All these words I don't just say
And nothing else matters


Trust I seek and find in you
Every day for us something new
Open mind for a different view
And nothing else matters
C A D C
Never cared for what they do
A D C
Never cared for what they know
A D Em
But I know
Never cared for what they say
Nver cared for what they play
Never cared for what they do
Never cared for what they know
But I know

GNR - Knocking on heaven's door, Guitar Chords with lerycs

G/D9/C...




G D9 Am7
Mama take this badge from me
G D9 C
I can't use it anymore
G D9 Am7
It's getting dark too dark to see
G D9 C
Feels like I'm knockin' on heaven's door
G D C
Knock-knock-knockin' on heaven's door...


Mama put my guns in the ground
I can't shoot them anymore
That cold black cloud is coming down
Feels like I'm knockin' on heaven's door


Knock-knock-knockin' on heaven's door...

Zeher - Woh lamhe, Guitar chords with lerycs

Am G
Wo lamhe wo batien koi na jaane
Am
Yeh kaisi ratien
G F G
Ho barsatein wo bheegi bheegi yaadien
Am
Wo bheegi bheegi yaadien
Am G
Na main jaanu naa tu jaane
Am G
kaisa hai ye mausam koi na jaane
G C Am C Am
Kahan se ye fiza aayi gamon ki dhoop sang layi
G Am G
Juda ho gaye hum khafa ho gaye hum

Kuch Kuch hota hai - Koi mil gaya, Guitar Chotds with Lerycs

A
Koi mil gaya


E
Koi mil gaya


D7
Koi mil gaya


A G
Mujhko kya hua hai


A G
Kyon main kho gaya hoon


A G
Paagal tha main pehle


A G
Ya ab ho gaya hoon


Bm
Behki hai nigahein


G
Aur bikhre hain baal


E
Tumne banaya hai
Kya apna ye haal


E
Koi mil gaya


E
Mera dil gaya


A
Kya bataoon yaaron


E
Main to hil gaya


D7 A D E
Koi mil gay mil hi gaya


A
Mil gaya


A E
Jaane kya ho gaya hai mujhe


A E
Deewana log kehne lage


G
Ye deewangi hai kya


D
Humein bhi to ho pata


E A
Tumko kya ho gaya
Arre kal tak mujhko sab hosh tha
Dil mein khushiyon ka josh tha
Phir ye becheini hai kyon
Phir ye betaabi hai kyon
Kya koi kho gaya
Koi mil gaya...
Baadal banke kaun aa gaya
Kaun hai jo dil pe yoon chha gaya
Chaahoon ki bataoon main
Phir bhi keh na paoon main
naam uska hai kya
O naam na lo par kuchh to kaho
Halka sa koi ishaara to do
Meri aankhon mein hai vo
Meri saanson mein hai vo
Aur kahoon tumse kya
Koi mil gaya..
Muhko kya hua hai..

Kal ho na ho - Kal ho na ho , Guitar chords with Lerycs

C G


Har Ghadi Badal Raha Hai Roop Zindagi


C G
Chaav Hai Kahhi Hai Dhoop Zidnagi


F
Har Pal Yahan


C
Jee Bhar Jiyo


F Bb
Jo Hai Sama


C
Kal Ho Na Ho




G F
Chaahe Jo Tumhe Poore Dil Se


G F
Milta Hai Woh Mushkil Se


G F
Aisa Jo Koi Kahin Hai


G F C
Bas Vahi Sabse Hasin Hai


Us Haath Ko Tum Thaam Lo
Woh Meherbaan Kal Ho Na Ho
Har Pal Yahan
Jee Bhar Jiyo Jo Hai Sama
Kal Ho Na Ho




Palko Ke Leke Saaye
Paas Koi Jo Aaye
Lakh Sambhalo Paagal Dil Ko
Dil Dhadke Hi Jaaye
Par Sochlo Is Pal Hai Jo
Woh Dastan Kal Ho Na Ho
Har Pal Yahan
Jee Bhar Jiyo Jo Hai Sama
Kal Ho Na Ho
Har Pal Yahan
Jee Bhar Jiyo Jo Hai Sama
Kal Ho Na Ho

Bombay - Humma Humma, Guitar Chords with Lerycs

A G A G


Ek ho gaye hum aur tum to ud gayi neendein re
A G A
Aur khanki paayal masti mein to kangan khanke re


A G
Humma humma humma humma humma
A G
Hey humma humma humma humma humma


Ye pehli baar mile tum pe ye dam nikle
Tum pe ye jawaani dheere dheere ma dham machle re


Humma humma humma humma humma
Hey humma humma humma humma humma


A G
Khili chaandni jaisa ye badan janam mila tumko
A
Mann me socha tha jaisa roop tera aaya nazar humko
A
Sitam khuli khuli ye sanam gori gori
G
Ye baahein karti hain yoon
A G
Humein tumne jab gale lagaaya to kho hi gaye hum to


Humma humma humma humma humma
Hey humma humma humma humma humma
Ek ho gaye hum...


Khuli zulf mein teri aankhon mein madhosh ho gaye
Gore gaal pe bheege honth pe yaara fida ho gaye
Sanam pyaar mein bheegi raat mein pyaas jagaate rahein
Khatam na ho kabhi sanam ka mausam chaahat badhti rahe


Humma humma humma humma humma
Hey humma humma humma humma humma
Ek ho gaye hum...

Dilse - Chal Chaiyya Chaiyya, Guitar chords with Lerycs

E Asus2


Jinke Sar Ho Ishq Ki Chaaon




E Asus2
Paanv Ke Neeche Jannat Hogi




E Asus2 A
Jinke Sar Ho Ishq Ki Chaaon








G
Chal Chaiyya Chaiyya Chaiyya Chaiyya,


A
Chal Chaiyya Chaiyya Chaiyya Chaiyya


G
Chal Chaiyya Chaiyya Chaiyya Chaiyya,


A
Chal Chaiyya Chaiyya Chaiyya Chaiyya - 2






A
Saare Ishq Ki Chaaon Chal Chaiyya Chaiyya - 2
Paanv Janat Chale Chal Chaiya Chaiya - 2






A
Woh Yaar Hai Jo Khusbhu Ki Tarah


D
Jiski Zubaan Urdu Ki Tarah


G
Meri Shamo-raat Meri Kaynaat


A
Woh Yaar Mera Saiyyan Saiyyan


Chal Chaiyya Chaiyya...






A
Gulposh Kabhi Itraye Kahin,
Mehke To Nazar Aa Jaye Kahin - 2


A
Taabeez Banaa Ke Pahnoo Use Aayat Ki Tarah Mil Jaaye Kahin


A A#
Taabeez Banaa Ke Pahnoo Use Aayat Ki Tarah Mil Jaaye Kahin


A
Gulposh Kabhi Itraye Kahin, Mehke To Nazar Aa Jaye Kahin






A
Mera Nagma Wahi Mera Kalma Wahi -2


A
Yaar Misaale Os Chale


G
Panv Ke Tale Firdaus Chale


D
Kabhi Daal Daal Kabhi Paat Paat


A
Main Hawa Pe Dhoondho Uske Nishaan


Saare Ishq Ki Chaaon Chal Chaiyya Chaiyya - 2
Paanv Janat Chale Chal Chaiya Chaiya - 2




A
Main Uske Roop Ka Shahdayi


D
Woh Dhoop Chaanv Sa Harjai


G
Woh Shokh Hai Rang Badalta Hai


A
Main Rang Roop Ka Saudaai


A
Jinke Sar Ho Ishq Ki Chaanv


D
Panv Ke Neeche Jannat Hogi - 2


G
Meri Shamo-raat Meri Kaynaat


A
Woh Yaar Mera Saiyyan Saiyyan
Chal Chaiyya Chaiyya...

RHCP - Californication guitar chords with lerycs

Am F Am




Psychic spies from china try to steal your mi nds elazation. Little girls from Sweed en dream of


F C G F Dm
silver screen quotations. And if you want t hese kind of dreams its C alifornication.




Do this throughout the verses






Pre-Chorus


Am Fmaj7 Am Fmaj7


Pay your surgeon very well to break the sp ell of ageing. Celebrity skin is this your chin or is


Am Fmaj7 Am Fmaj7
that the war your waging? First bor n unicorn hard co re soft porn.






Chorus


C G7 Dm9 Am C G7 Dm9
Dream of Californica tion d ream of californi cation


Psychic spies from China try to steal your minds elation
little girls from sweeden dream of silver screen quotations
and if you want these kind of dreams its californication.
Its the edge of the world
And all of western civization
The sun may rise in the east
At least it settles in the final location
It`s understood that Hollywood sell Californication
Pay your surgeon very well to break the spell of ageing
Celerity skin is this your chin or is that the war your waging?






Chorus
First born unicorn hard core soft porn
Dream of californication dream of californication.
Marry me girl be my fairy to the world
Be my very own constellation
A teenage bride with a baby inside getting high of information
And buy me a star on the boulavard its californication
Space may be the final frontier but its made
in a hollywood basement
Cobain can you hear the spreres
singing songs off station to station
And alderons not far away its californication
Born and raised by who praise
Control of population everybodys been there and i dont
mean on vaction






Chorus


Destruction leads to a very rough road but it also
breeds creation
And earthquakes are to a girls guitar
therye just another good vibration
and tidal waves couldent save the world from californication
Pay your surgeon very well to break the spell of ageing
sicker than the rest
there is no test
but is this what your craving
Well that is it I had alot of fun doing this and it took me alot of time.

cold play - X and Y lerycs with guitar codes

Em F


Trying hard to speak and


Am G
F ighting with my weak hand


Em F
Driven to distraction


Am G
It's all part of the plan






Em F
When something is broken


Am G
an d you try to fix it


Em F D F
Trying to repair it a nyway you c an






D7/F# F D7/F# F










Em F
I dive in off the deep end


Am G
You become my best friend


Em F Am G
I wanna love you but I don't know if I can






Em F
I know something is broken


Am G
and I'm trying to fix it


Em F Am G
T rying to repair it a nyway I can










D7/F# F D7/F# F
Ooooh h, ooooh h


D7/F# F D7/F# F
Ooooh h, ooooh h






C Bb D
You and me are floating on a tidal wave... together


C Bb D
You and me are drifting into outer space
and singing






F D7/F# F D7/F#
Ooo ohh, ooo ohh






C Bb D
You and me are floating on a tidal wave... together


C Bb D
you and me are drifting into outer space






C Bb D
You and me are floating on a tidal wave... together


C Bb D
You and me are drifting into outer space and singing






F D7/F# F D7/F#
Ooo ohh, ooo ohh


F D7/F# F D7/F#
Ooo ohh, ooo ohh

Scorpion - Holiday, Guitar chords with lerycs

Dm


Let me take you far away


C A Dm
You'd like a holiday


Dm
Let me take you far away


C A Dm
You'd like a holiday






C Dm
Exchange the cold days for the sun


G A
Good times and fun


Dm
Let me take you far away


C A Dm Dm7 Dm6 A4 A'
You'd like a holiday






Dm
Let me take you far away


C A Dm
You'd like a holiday


Dm
Let me take you far away


C A Dm
You'd like a holiday


C Dm
Exchange your troubles for some love


G A
Wherever you are


Dm
Let me take you far away


C A Dm Dm7 Dm6 A4 A'
You'd like a holiday






Dm
Longing for the sun you will come


C Bb
To the island without name


Dm
Longing for the sun be welcome


C Bb Dm
On the island many miles away from home


C Bb
Be welcome on the island without name


Dm
Longing for the sun you will come


C Bb Dm C Bb
To the island many miles away from home.










Chord fingerings:




EADGbe EADGbe EADGbe EADGbe EADGbe EADGbe


Dm X00231 C X32010 A 002220 G 320003 Dm7 X30231 Dm6 X10231






EADGbe EADGbe EADGbe


A4 002230 A' 002255 Bb 113331














SOLO




/ means slide
b means
bend
Sus means sustain the note






e:------------------------------------------------------5---3---------------
B:--------------------------------3-3--5-6-3---5-6-5------------5-6-5--3---G:----------2-----------------2-------------------------------------------2-
D:-----3---------5-2---5--3-5-----------------------------------------------
A:5-------------------------------------------------------------------------
E:--------------------------------------------------------------------------










*






e:---------------------------------------------------------------3-4b(5)Sus-
B:5-6-3-5---6-5-3------------------------------------3----3-5-6-------------
G:----------------2-------------1/2--------1/2-----2---2--------------------
D:---------------------2-3-5---------5--3-----------------------------------
A:----------------------------------------------5---------------------------
E:--------------------------------------------------------------------------

Scorpion - Wind of Change, Guitar chords with Lerycs

C G Dm C


I f ollow the Mosk va do wn to Gorky Pa rk


C G F G
List ening to the w ind of ch a------ nge
An August summer night, Soldiers passing by
Listening to the wind of change


The world is closing in, did you ever think
That we could be so close, like brothers
The future's in the air, I can feel it everywhere
Blowing with the wind of change






C G Dm G C G
T ake m e to the m agic of the m oment on a gl ory ni ght
Dm G C G
Where the childr en of tomorro w dream awa y - In the wind of cha nge






Walking down the street, distant memories
Are buried in the past forever
I follow the Moskva down to Gorky Park
Listening to the wind of change




Take me to the magic of the moment on a glory night
Where the children of tomorrow share their dreams - With you and me
Take me to the magic of the moment on a glory night
Where the children of tomorrow dream away - In the wind of change






Am Dm Am
The w ind of change blows st raight into the face of t ime
Dm Am
Like a stormwind that will ring the freedom bell for peace of m ind
Dm                    E
Let your balalaika s ing what my guitar want to s ay


2nd Chorus

MLTR - Someday, Guitar Chords with Lerycs

Bm...............G
in my search for freedom

G..............Bm
and peace of mind


G.....................A
i left the memories behind


Bm..................G
wanna start a new life


G..........................A
but it seems to be rather absurd






Bm............
wen i know the truth


G......................D
is that i always think of u


D..............A
someday someway


.................G
together we wud b baby


Bm...............G
i'll take, n u take ur time




D.................A
we'l wait for our fate


A.....................G
coz nobody owns us baby


Bm...........
we can shake


Bm.............G
we can shake the rock




try to throw the picture
out oof my mind
tried to leave the memories behind
here by the ocean
waves carry voices from u
do u know the truth
i.m thinkin of u too


someday....




the love had together
just fades away in time
n now u've got ur own world
n i guess i've got mine
but the passion that u planted
in the middle of my heart
is the passion that will never stop






solo


someday someway
together we'd be baby
i'l take n u take ur time
we'l wait for our fate
coz nobody owns us baby
we can shake
we can shake the rock


...-=-=-=-=-=-=-=-=-=-=-=-=-...

Cat Purr

With this technique, a pitch is held for a beat, and then raised up a tone. The lever is moved slowly, and once you reach the upper or lower tone, you immediately hold, and then reverse direction. This results in a sound that can sounds




remarkably like a cat.

Dipping

Dipping is a technique that allows you to make note changes a little more interesting. Before you change to a higher note, use the bar to quickly lower and then raise the pitch.

Dive Bomb

A Dive Bomb may be achieved by striking a natural harmonic then lowering the tone. An "explosion" may added by keeping the bar pressed down and flicking the low E string repeatedly.




Also, there is an alternative way to do a dive bomb, by flicking a string, dipping the bar down, tapping a harmonic, then manipulating the resulting note however you want. This technique is also known as a "Squeal", or "Dime Squeal"




named after Pantera guitarist, Dimebag Darrel.

Guitar/Vibrato Bar Techniques, (Tremolo bar, or whammy bar, or Vibrato bar.)

The tremolo bar was originally only found on Fender guitars, but now they are on many types of electric guitar. Unfortunately, it has an inappropriate name, because "tremolo" means a fast succession of two different tones. A more accurate but less common name is the vibrato bar, and they are also known as whammy bars.




In general, it is good to learn to hold the tremolo bar between your third and fourth fingers, so you can use the bar and hold a pick at the same time.


This section will provide a description of how to accomplish various techniques, but it will be up to the guitarist to discover how to perform them.