Munjane Manjalli Guitar Chords with Lerycs

Ragu Dixit 
Munjane Manjalli - Just maat Maathalli 
Kannada Song

A D A E
Munjaane manjalli.. Mussanje tilitampalli...
A D A E
O Olave neenelli.. Hudukaata ninaginelli..
Bm D
Nannedeyolage nee ilidu..
Bm E
Janamanada mouna muridu..
Bm D
Bisi usirannu nee bagedu..
Bm E
Nittusirannu nee tagedu..
A D A D
Nannomme aavarisu.. Ee bege nee haarisu..
Bm E
Manadaalada ullasa nee..
A A A E
Kuntallu neene.. Nintallu neene.. Ellellu neene sakhi..
A A A E
Kannallu neene.. Kanasallu neene.. Ellellu neene sakhi..
Bm D Bm D Bm D E
Nana nennegalu neene.. Naalegalu neene.. Endendu neene sakhi...
A E A
Aavarisu.. Maidumbi.. Just Maat Maathalli..


A D A E
Nannella kanasannu.. Ninadendu nee tilididde..
A D A E
Noorentu novallu.. Nee bandu jotheyidde..
Bm D Bm E
Kaarmoda kavida manake.. Hosa belaku tandu suride..
Bm D Bm E
Ninagaagi naanu nanna.. Badukella mudipu ende..
A D A D
Eegelli nee hode.. Konegolisi nee baare...
Bm E
Edegoodina usiru neene..
A A A E
Baanallu neene.. Buviyallu neene.. Ellellu neene sakhi..
A A A E
Novallu neene.. Nagavallu neene.. Ellellu neene sakhi..
Bm D Bm D Bm D E
Nana nennegalu neene.. Naalegalu neene.. Endendu neene sakhi...
A E A
Aavarisu.. Maidumbi.. Just Maat Maathalli..


G D A
Neenillaade baale baradu..

G D A
Ninagaage nanna baduke mudipu..

Bm A
Neenillada baduke neeru..
E
Kollu nanna...

A A A E
Tampallu neene.. Bisilallu neene.. Ellellu neene sakhi..
A A A E
Hasirallu neene.. Usirallu neene.. Ellellu neene sakhi..
Bm D Bm D Bm D E
Nana nennegalu neene.. Naalegalu neene.. Endendu neene sakhi...
A E A
Aavarisu.. Maidumbi.. Just Maat Maathalli..

 

Tritone scale

The tritone scale, C D(flat) E G(flat) G(natural) B(flat) is enharmonically equivalent to


the Petrushka chord, C C(sharp) E F(sharp) G A(sharp).


The two-semitone tritone scale, C D(flat) D F(sharp) G A(flat), is a symmetric scale


consisting of a repeated pattern of two semitones followed by a major third now used


for improvisation and may substitute for any mode of the jazz minor scale. The scale


originated in Nicolas Slonimsky's book Thesaurus of Scales and Melodic Patterns


through the, "equal division of one octave into two parts," creating a tritone, and the,


"interpolation of two notes," adding two consequent semitones after the two resulting


notes.

Blues scale

Since blue notes are alternate inflections, strictly speaking there can be no one blues


scale[2], but the scale most commonly called "the blues scale" comprises a flatted


seventh blue note, a flatted third blue note, and a flatted fifth blue note along with other


pitches derived from the minor pentatonic scale: C E(flat) F F(sharp) G B(flat) C.

Prometheus scale

The Prometheus scale is so called because of its prominent use in Alexander


Scriabin's symphonic poem Prometheus: The Poem of Fire. Scriabin himself called


this set of pitches, voiced as the simultaneity (in ascending order) C F(sharp) B(flat)


E A D the "mystic chord". Others have referred to it as the "Promethean chord".

Whole tone scale

The whole tone scale is a series of whole tones. It has two non-enharmonically


equivalent positions: C D E F(sharp) G(sharp) A(sharp) C and D(flat) E(flat) F G A B


D(flat).

hexatonic scale

in music and music theory, a hexatonic scale is a scale with six pitches or notes


per octave. Famous examples include the whole tone scale, C D E F(sharp)


G(sharp) A(sharp) C; the augmented scale, C D(sharp) E G A(flat) B C; the


Prometheus scale, C D E F(sharp) A B(flat) C; and what some jazz theorists call the


"blues scale", C E(flat) F F(sharp) G B(flat) C