Both the half-whole diminished and its partner mode, the whole-half diminished (with
a tone rather than a semitone beginning the pattern) are commonly used in jazz
improvisation, frequently under different names. The whole-half diminished scale is
commonly used in conjunction with diminished harmony (e.g., the "C dim7" chord)
while the half-whole scale is used in dominant harmony (e.g., with a "G7b9" chord).
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